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Rich iconographer
Rich iconographer







rich iconographer
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“ It seems so obvious but you have to spend time developing your craft and creating work that you’re proud of,” she says. “ It might seem obvious but people sometimes forget this when they jump into a creative pursuit. No matter which you choose only good work will get good jobs, good opportunities, and good money. If you want to go into fine art, you should already have an idea of what your medium is, whether it’s painting, sculpting, or photography. They set out to create paintings, sculptures, and other works of art for patrons, and typically work with galleries and aspire to be in museums.”

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Wood says, “The fine artists are artists who are more in the luxury business, so to speak. Let’s touch on a few areas you can pursue: Fine artįine art includes art pieces that hold profound meaning and aesthetic beauty. Perhaps, you could be a good photographer or a master of Adobe illustrator. If you are a painter, you are most likely capable of creating wall art. What are you the best at? And what else can you offer besides making good art? An individual can possess multiple talents. So how does one market their art ? First, figure out what is it that you can offer. She continues, “That includes marketing yourself, putting yourself out there, and generally doing all the boring stuff that doesn’t happen magically. And like any other business, a lot of the work you put into it won’t be sexy and it won’t be romantic. You need to understand you’re building a business.

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You spend all of your time complaining about how nobody wants to buy your work and yet at the same time you’re talking about selling your work as if it’s the most debasing, horrible thing in the world.”īonus: Want to work from home, control your schedule, and make more money? Download my FREE Ultimate Guide to Working from Home. They want people to see their work and ‘get it.’ The only way that happens though is when people are able to buy it. And yet, at the same time, what artists want most is to be recognized. We’re being told through the artistic community and culture that selling your art is dirty. Wood further adds, “Artists are very conflicted by it. “Some artists think it’s sleazy if someone even considers marketing themselves or trying to sell their art.” “Starving artist syndrome is a very ingrained thing in the art world,” Wood explains. She sheds some light on the struggles artists face and ways one can make money as an artist.

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She’s the host of The Savvy Painter and has worked both as an art director for a major video game company and as a professional artist who has sold hundreds of paintings. That’s why we called up Antrese Wood for some advice. Making money as an artist could be a struggle unless you have someone experienced to advise you. And it won’t happen unless you put yourself out there. It’ll be in your best interest to research and come up with the best business ideas to run yours. Discard the notion that marketing or selling your art isn’t appropriate for artists.Īt the end of the day, every artist needs exposure to get recognized. īill Gates, the billionaire, recommends a book called Mindset: The New Psychology of Succes, basically re-iterating the idea, ‘When you look at things differently, the things you look at change.’ It’s time you start considering yourself a business owner. Roberta extends acknowledgment and respect to First Nations peoples and communities globally viewing this website.Adopt a success mindset (You don’t have to be a starving artist!) Roberta recognises and acknowledges the Wathaurong, Wurundjeri and Bunurong peoples as the traditional owners of the lands she has been raised, living and working on and pay respect to their Elders, ancestors and families. Rich draws from various socio-political, historical and popular culture epistemologies, to engage with notions of "authenticity", with the aim of deconstructing colonial modalities and proposals of self-determination within her arts practice.īorn on Wathaurong country (Geelong, Australia 1988), currently based on Wurundjeri and Bunurong lands of the Kulin Nation (Melbourne, south-eastern Australia). Often referencing her own diaspora southern African identity and experiences, she utilises language, archives and sometimes satire, in her video, performance, installation and mixed media projects. Roberta Joy Rich is a multi-disciplinary artist who seeks to re-frame archives of African identity and histories, responding to constructs of "race" and gender identity.









Rich iconographer